‘Cabaret’ Review: Eddie Redmayne and Gayle Rankin Lead High-Style Revival That Cuts to the Bone (2024)

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‘Cabaret’ Review: Eddie Redmayne and Gayle Rankin Lead High-Style Revival That Cuts to the Bone (1)

When Eddie Redmayne’s slithering Emcee assures the audience at “Cabaret” that “here, life is beautiful,” he’s telling a half-truth. The August Wilson Theater, done up like the Kit Kat Club for a bracing, high-style, Broadway revival that opened there Sunday, has indeed been transformed into a house of pleasure. Entering through an alley and into fancified, jam-packed lobby bars feels like discovering a speakeasy inside a nightclub.

The production is a hot-ticket escape from a city where police are breaking up student protests and a former head of state is on trial for p*rn-star bribery. Inside the theater, the denizens of Weimar Germany writhing around this storied den are likewise at least temporarily inured from the political perils pressing on its doors. But in director Rebecca Frecknall’s ravishing and mercilessly introspective production of the 1966 musical by Joe Masteroff (book), John Kander (music) and Fred Ebb (lyrics), no one is safe from the turmoil rattling their psyches.

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That twisted inner world is beautifully realized in a shadowy mélange of fringe and ruffles by the designer Tom Scutt, whose bawdy, under-the-big-top scenic and costume design is a feat of textures and deep, muted colors. Seating on either side of a circular center platform, skirted by VIP tables, lends the show an immersive feel, aided by Isabella Byrd’s sharp, captivating lighting. Chic, circus-clown makeup (by Guy Common) shrouding the eyes of Redmayne and the limber ensemble suggests a sinister air of delirium as the principal players are introduced.

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Already near the end of her rope, Gayle Rankin’s coarse, determined Sally Bowles tries desperately to keep from spinning out before coming completely and furiously unraveled (the actor’s eviscerating performance of the title song is destined to become the stuff of you-had-to-see-her lore). Stripped of the delusions often associated with the expendable headliner, the Sally of Frecknall’s staging, which transfers here from London’s West End, is a raw, trembling realist only thinly disguised as a romantic.

When Sally falls in step with Cliff (Ato Blankson-Wood) — who is more clearly figured as queer, in the spirit of the source material by Christopher Isherwood — their devotion appropriately seems born from circ*mstance. The reticence and reserve of Blankson-Wood’s Cliff appears at first like a byproduct of keeping a part of himself secret. It’s a probing take on the text that falters slightly in the second act, when an affair between them — even one born from their own self-deception — isn’t easy to buy.

The tender romance between Bebe Neuwirth’s elegant and maternal Fraulein Schneider and the moony-eyed fruit seller Herr Schultz (Stephen Skybell) spins a sweet and aching emotional thread. Neuwirth’s shattering performance of “What Would You Do?” shows an indomitable woman piecing herself back together one trembling note at a time.

All that stripped-down humanity onstage — from the entrails of broken lovers to the dancers’ carnal gyrations (choreography is by Julia Cheng) — make Redmayne’s Emcee a jarring exception. An otherworldly salamander of a narrator, he hunches over, Gollum-like, gnawing on every syllable as if it were his last meal. It’s a fiercely committed performance, but a mannered one, too. For the Emcee to exist as a creature apart makes narrative sense, but Redmayne’s remoteness drains some of the force from what is otherwise a grounded, gut-punching take on a disturbingly timely story.

Of course, “Cabaret” is partly a warning about the excess and social blindness represented by pricey tickets and a sexy night out as the world burns. But it’s also a reminder to enjoy every last minute while you can.

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‘Cabaret’ Review: Eddie Redmayne and Gayle Rankin Lead High-Style Revival That Cuts to the Bone

Kit Kat Club at the August Wilson Theater; 1,070 seats; top non-premium $594. Opened April 21, 2024; reviewed April 18. Running time: 2 HOURS 45 MIN.

  • Production:A presentation by ATG Productions, Underbelly, Gavin Kalin Productions, Hunter Arnold, Smith & Brant Theatricals and Wessex Grove; Co-Produced by Julie Boardman, Tom Smedes, Peter Stern, Heather Shields, Caiola Productions, Kate Cannova, Aleri Entertainment, Alex Levy Productions, Bunny Rabbit Productions, Tom D'Angora & Michael D'Angora, Cyrene Esposito, David Treatman, Eddie Redmayne, The Array IV, Bad Robot Live, Grace Street Creative Group, Jim Kierstead, George Waud, Yonge Street Theatricals, Federman Koenigsberg Productions / Sara Beth Zivitz, Tina Marie Casamento / Jennifer Johns, Patty Baker / Matthew Christopher Pietras, Robyn Coles / The Cohn Sisters, Nolan Doran / Fakston Productions, Epic / Jeffrey Grove, Jessica Goldman Foung / M Kilburg Reedy, William Frisbie / Andrew Paradis, Marguerite Steed Hoffman / Willette & Manny Klausner, Iocane Productions / Tilted, Kat Kit 4 / Second Act, Vasi Laurence / Stephen C Byrd, Brian & Dayna Lee / City Cowboy Productions, Maybe This Time / 3D Productions, Nothing Ventured Productions / Catherine Schreiber & Co, Tegan Summer Theatricals / The Wolf Pack, Ilana Woldenberg / W Stage Productions and The Shubert Organization.
  • Crew:Directed by Rebecca Frecknall; Choreographed by Julia Cheng; Scenic and Theater Design by Tom Scutt; Costume Design by Tom Scutt; Lighting Design by Isabella Byrd; Sound Design by Nick Lidster and Autograph; Hair and Wig Design by Sam Cox; Make-Up Design by Guy Common; Musical Supervisor: Jennifer Whyte; Musical Coordinator: Kristy Norter; Conducted by Jennifer Whyte; Production Stage Manager: Thomas Recktenwald; Stage Manager: Derek Michael DiGregorio.
  • Cast:Gayle Rankin, Eddie Redmayne, Ato Blankson-Wood, Clifford BradshawNatascia Diaz, Henry Gottfried, Bebe Neuwirth, Steven Skybell, Alaïa, Iron Bryan, Gabi Campo,Ayla Ciccone-Burton, Colin Cunliffe, Will Ervin Jr., Sun Kim, Marty LauterVictor, Loren Lester, Deja McNair, David Merino, Julian Ramos, MiMi Scardulla, Paige Smallwood, Hannah Florence, Pedro Garza, Christian Kidd, Corinne Munsch, Chloé Nadon-Enriquez, Ida Saki, Karl Skyler Urban, and Spencer James Weidie.

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              ‘Cabaret’ Review: Eddie Redmayne and Gayle Rankin Lead High-Style Revival That Cuts to the Bone (2024)

              FAQs

              ‘Cabaret’ Review: Eddie Redmayne and Gayle Rankin Lead High-Style Revival That Cuts to the Bone? ›

              It's a fiercely committed performance, but a mannered one, too. For the Emcee to exist as a creature apart makes narrative sense, but Redmayne's remoteness drains some of the force from what is otherwise a grounded, gut-punching take on a disturbingly timely story.

              Is Cabaret on Broadway worth seeing? ›

              The music is at once catchy, fun, haunting and subversive. The script is smart, subtle and moving. The characters are iconic (even non-theater nerds have likely heard the name Sally Bowles). Fans of Cabaret perhaps think of the Joel Grey and Liza Minnelli version.

              Who will replace Gayle Rankin in Cabaret? ›

              Adam Lambert and Auli'i Cravalho will take over the lead roles in Cabaret this fall from Eddie Redmayne and Gayle Rankin. The two will begin performances, as the Emcee and Sally Bowles, respectively, at the August Wilson Theatre starting Sept. 16 for a run through March 30, 2025.

              What is Eddie Redmayne's role in Cabaret? ›

              Broadway critics have not been as overwhelmingly positive as London's – and Redmayne's divisive portrayal of the iconic Emcee character is taking centre stage in the debate. When thinking of Cabaret, Liza Minnelli's glamorous, vocally masterful turn as Sally Bowles in the 1972 film might spring to mind.

              How long is the play Cabaret on Broadway? ›

              How long will the show be? The running time of CABARET AT THE KIT KAT CLUB is approximately 2 hours 45 minutes, including one 15 minute intermission. What cast will be in the show?

              Why is cabaret so expensive? ›

              But, of course, the West End where Cabaret is playing in a reconfigured Playhouse Theatre is a commercial enterprise. Theatre tickets are commodities and will be sold at the rate the market will bear. In an affluent city like London that means that prices are driven upwards.

              What is the main message of cabaret? ›

              Cabaret tells us to shove our escapist fantasies and be aware of our lives in three ways. First, there's the action of the plot— Cliff embraces escapism and happily ignore reality until he realizes he's been unwittingly serving the Nazi party to support his comfortable life with Sally in Berlin.

              Who is the new cast for Cabaret? ›

              Cabaret at the Kit Kat Club in the West End have announced new casting. From the 23rd September 2024, Olivier nominee Adam Gillen will play The Emcee and Golden Globe nominee Katherine Langford will play Sally Bowles.

              What is the emcee in Cabaret? ›

              Master of Ceremonies (Emcee)

              Host at the Kit Kat Club-- a gender-nonconforming-presenting, exuberant figure; comfortable with being close to the audience; dark, comedic, sinister, vulgar… yet lovable; requires a strong presence that is playful and mysterious.

              What happens to the Emcee at the end of Cabaret? ›

              In the final scene, the Emcee removes his outer clothes to reveal a striped uniform of the type worn by the internees in concentration camps; on it are pinned a yellow badge (identifying Jews), a red star (marking Communists and socialists), and a pink triangle (denoting hom*osexuals).

              How long will Eddie Redmayne be in Cabaret on Broadway? ›

              Eddie Redmayne and Gayle Rankin star in the Broadway revival of Kander and Ebb's classic musical. Eddie Redmayne and Gayle Rankin will their final performances on September 14, 2024.

              Who does Cliff kiss in Cabaret? ›

              Cliff and Bobby kiss. Emcee calls Cabaret girls hot. Sally tells Cliff she can't invite him upstairs because she lives with Max (the guy she is sleeping with). Sally says that drinking out of Cliff's toothbrush mug makes her feel sensual.

              Is Cabaret a good musical? ›

              Cabaret has an audience approval rating of 87% on Show-Score, putting it in the review aggregator's “Excellent” category.

              Is Cabaret musical a comedy? ›

              But no musical tragedy since has had the same amount of truly entertaining comedy that can be found throughout Cabaret . Unfortunately, writers who imitate its bleakness forget that it's the laughter and glitzy showmanship that make such a message palatable to an audience.

              Is cabaret at the Kit Kat Club the same as Cabaret? ›

              Welcome to the Kit Kat Club. Home to the smash-hit production of CABARET that Entertainment Weekly hails as “an unforgettable and jaw-dropping experience” and New York Magazine declares “a glitzy, entertaining and ingenious revival that goes all out.” Experience this groundbreaking musical like never before.

              Is Cabaret worth the money? ›

              The Telegraph's five-star review of Cabaret says: “Every element of Frecknall's production is a wow: the sumptuous pre-show entertainment, Tom Scutt's detailed design, Julia Cheng's sinuous choreography, Isabella Byrd's exquisite lighting, and the vital live band.” This isn't just seeing a show – it's an exceptional ...

              What to know before seeing Cabaret? ›

              Cabaret encourages audiences to arrive at least an hour prior to curtain to enjoy the prologue, which features musicians and dancers performing throughout the Kit Kat Club. No photography is allowed during the prologue (or the show, of course), and ushers place stickers over every audience member's phone camera.

              What to expect at a Cabaret show? ›

              Cabarets are halfway between a concert and a musical. Performers will be singing, acting and sometimes dancing onstage. But the show will also have a casual atmosphere. You are welcome to chat with your friends, or get up and order a themed drink.

              What is different about cabaret at the Kit Kat Club? ›

              For this version of “Cabaret,” playgoers are encouraged to arrive long before the opening number to visit the Kit Kat Club. There, they can have a drink and walk through a series of spaces, where they will observe performers dancing and playing music that is sensual, captivating and intended to loosen everyone up.

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